Ora tu pensa: un pianoforte.

I tasti iniziano. I tasti finiscono. Tu sai che sono 88, su questo nessuno può fregarti. Non sono infiniti, loro. Tu sei infinito, e dentro quei tasti, infinita è la musica che puoi suonare.​

– Alessandro Baricco

Roberto Olzer


What the critics say:

“Roberto Olzer, a pianist at home in the worlds of both jazz and classical music, is gifted with a unique musical sensibility and extraordinary expressive power” A. Valiante, Jazzitalia

“Olzer’s unique disposition towards music and the intellectual awareness of a man of culture have undoubtedly defined him as a jazz musician of admirable expressiveness; this becomes evident in his lucid inventiveness, imaginative and melodic clarity, refined and attractive harmonic colorings.” B. Schiozzi, Musica Jazz

“Reason combined with feeling…. fusing into a precious symphony with the power to evoke dreamlike spaces and faraway countries.” S. Maccari, Muzik Box

“…. A pianist at once sophisticated, sensitive and very expressive, imbued with classical andjazz traditions…” F. Caprera, Dictionary of Jazz, Feltrinelli, 2014

“This ultra-refined recording of the pianist Roberto Olzer (Steppin’ Out) is a clear example of how to make quality music of a disarming formal simplicity with a clear preference for the “beautiful”, devoid of unnecessary stylistic ornamentation or exaggerated virtuosity.” F. Peluso, Fedeltà del Suono

“A lovely album (Steppin’ Out) of jewelled lyricism, by Italian pianist Roberto Olzer … very visual, each track seems to tell a story” M. James, Only Jazz

“Clarity of phrasing, a clean sound, lyrical themes, a marked propensity for expressive linearity.” L. Sforza, All About Jazz

Born 1971 in Domodossola Italy, Roberto Olzer began studying piano at an early age and later organ with Maestro Giancarlo Parodi under whose guidance he received his diploma in organ and organ composition from the Giuseppe Verdi Conservatory in Milan, Italy. While completing his philosophy degree at the Catholic University Milan, he studied jazz improvisation with Roberto Ciammarughi. He further refined his technique through classes and seminars held by prominent piano masters, like S. Battaglia and E. Pieranunzi. He completed his musical education with a degree in piano.

Roberto Olzer’s first recordings date back to 2002-2003 with “Folk Songs” accompanied by the guitarist F. Spadea and “Eveline” accompanied by a sestet bearing his name for the label Splasc(h). Following that, he collaborated with the Max De Aloe Quartet recording six albums including a live concert edited by Abeat Records. He then recorded two albums for Splasc(h) and Dodicilune with the Michele Gori Quartet, a recording titled “Bill Evans Homage“ with the Roberto Mattei Double Quartet, and a CD with the Florentine songwriter Susanna Parigi.

His first piano solo “Esprit de Finesse”, edited by Dodicilune was recorded in 2009 and is dedicated to F. Mendelssohn Bartholdy to commemorate his bicentennial date of birth. He further developed themes from the classical repertory as a basis for jazz arrangements and compositions with the Rudy Migliardi Quartet. ‘Au Rebours’ is a recording with the bassist Roberto Mattei of improvisations on classical themes, edited by 201 Editions, also the label for “Avorio”, a recording with the singer Elisa Marangon.

A more recent formation is the JMT (Just Music Trio) together with Yuri Goloubev and Fabrizio Spadea. The trio recorded “Standpoint” edited by Caligola.

The Roberto Olzer Jazz Trio was formed in 2011 with bass player Yuri Goloubev and percussionist Mauro Beggio. Their first album ‘Steppin’ Out’ with the Abeat label in 2013 was widely acclaimed by both music critics and the public. In particular, it was awarded the title of best instrumental album of 2013 by the Japanese ‘Jazz Critique Magazine’ (HIHYO) in a category that includes names of world fame like Chick Corea, Dave Holland or Steve Swallow. Since the debut of the Trio in the prestigious Moods Jazz Club Zürich, Switzerland, they have continued to refine their sound, highlighted by the strong soloist talents of each of its members and their creative reciprocity.

Roberto Olzer continues to perform live in concerts not only as a jazz pianist but also as a classical pianist and organist in Italy, Switzerland, France and England in important theatres, festivals, clubs and events such as Time in Jazz (Sardenia, Italy), Fano Jazz by the sea (Italy) Musica sulle Bocche, Iseo Jazz, Gallarate Jazz Festival, MITO, Blue Note (Milan, Italy), House of Jazz (Rome), Piazza Verdi (Radio Rai 3, Italy), Moods Jazz Club, (Zurich, Switzerland) Villa Streuli, (Winterthur, Switzerland), Auditorium of the Swiss Radio, (Lugano, Switzerland), Conservatoire de Paris, Conservatoire du Choletais, (France) the Bangor New Music Festival (United Kingdom) and many others.

Roberto Olzer is also active as a composer and arranger for bands, string quartets and prestigious ensembles. He has arranged compositions such as ‘Homage to Nino Rota’ , ‘Xilophonia’, ‘Rhapsody in Blue’ and ‘John Williams Suite’ for the Decimino d’Ottoni (Brass Ensemble) of the La Scala Opera House, Milan. He also arranged Astor Piazzolla’s tangos, homage to Ennio Morricone etc. for the Coccia Theatre Symphonic Orchestra (Novara, Italy).

His collaboration with the Brass Ensemble of La Scala Opera House, Milan, as arranger and soloist in Gershwin’s Rhapsody in Blue (Domodossola, Italy 2013) has developed into a new project called ‘American Sweets’, where he plays in combination with his own Trio and the Brass Ensemble his original arrangements of music by Leonard Bernstein and John Williams.

Roberto Olzer’s published works as a composer include “Tetragono” for clarinet and piano (Bim Vuarmarens Editions Switzerland), “Sciccareddu” and “Monte Rosa” (Wicky Editions in Milan), “Per Geometrico Destino” for solos, chorus and orchestra commissioned for the centennial of the Simplon tunnel (Switzerland), and two compositions for organ commissioned by M° Parodi: ‘Prelude, Fugue et Chorale’ and ‘Fantasy on B.A.C.H’

Besides the musicians mentioned above, he has collaborated and played with musicians Chris Collins, Paolo Tomelleri, Emilio Soana, Bruno de Filippi, Roberto Rossi, Asaf Sirkis, Luciano Zadro, Emanuele Cisi, Bebo Ferra, Andrea Dulbecco, Ramberto Ciammarughi, Mauro Negri, Steve Mead, and with outstanding Italian jazz and pop singers Diana Torto, Barbara Casini, Susanna Parigi, Antonella Ruggero, Tosca Donati.

A Short Biography



Having received an Organ Diploma at The Milan Conservatory of Music and a Piano Diploma at The Mantova Conservatory of Music, he soon after dedicates himself to teaching and to developing inprovisation jazz techniques thanks to having become acquainted with Ramberto Ciammarughi.

Having also received a Philosophy Degree with High Honors at The Catholic University in Milan and a disciple of The Alexander Technique, he combines his teaching didacting activity to composing and musical arrangements (producing various published scores) for different musical groups among which, The Orchestra Sinfonica del Teatro Coccia di Novara and The Decimino di Ottoni del Teatro La Scala di Milano. He also cultivates his jazz and classical concert activity as solo pianist and organist or as a member of other musical ensembles. He has recorded for Italian jazz musical houses like Abeat, Dodicilune, Splasc(h) and Caligola. Among the musical ensembles he plays with there is The Just Music Trio, The Max De Aloe Quartet, The Michele Gori Quartet, The Rudy Migliardi Quartet and The Roberto Mattei Double Quartet. He also directes his own trio that comprises Yuri Goloubev on the doublebass and Mauro Beggio on drums.